AY Clarifies Misunderstanding over Skit: “I Didn’t Refer to Your Daughter as Dog”

Popular Nigerian comedian, Ayo Makun, known as AY, has responded to afrobeat singer Seun Kuti’s accusation that he portrayed his daughter as a dog in a skit video. AY denied the allegations and explained the context behind the controversial scene.

In a video message shared on his Instagram page, AY clarified that the dog in the skit video was not meant to represent Kuti’s daughter, but rather a metaphor for Guinness World Record holder, Hilda Baci, who was making headlines at the time for consuming dog meat.

Addressing Kuti directly, AY stated, “I’m one human being who looked for a child for 13 years. I don’t think I will find myself in the position to mock a child and refer to that child as a dog.” He emphasized his love for children and expressed his sensitivity towards the issue.

Furthermore, AY highlighted that as a stand-up comedian, his skits often revolve around current trends and social commentary. The skit in question touched upon the controversial fuel subsidy and the trending topic of Hilda Baci and Enioluwa consuming dog meat. AY mentioned Hilda’s name in the scene, capturing the ongoing conversation surrounding the issue.

AY also mentioned that Kuti had previously made derogatory remarks about him, including criticizing him for accepting a national award from the presidency. He insinuated that Kuti’s reaction to the skit may have been influenced by their past differences.

Despite AY’s explanation, Kuti remains unconvinced and firmly rejects his claims. Kuti took to his own Instagram page to express his skepticism, calling AY’s move a “dick move” and dismissing his attempts at explanation.

Seun Kuti reasserted that the only person sitting in the back seat of his car in the skit video was his daughter, questioning what AY had placed in the back seat of his own dry skit. Kuti also critiqued the comedy industry and accused AY and his colleagues of overestimating their importance.

The verbal exchange between AY and Seun Kuti highlights an ongoing debate about the boundaries of comedy and satire in Nigerian entertainment, and the potential impact on public figures and their families.

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