Nigerian businessman and socialite Pascal Okechukwu, widely recognized as Cubana Chief Priest, recently revealed during a live-streamed interview that he provided support to global Afrobeats star Burna Boy before the artist’s rise to fame. Speaking from his mansion in Owerri, Imo State, Okechukwu recounted hosting the Grammy Award-winning musician during periods when he was still navigating his career. The conversation, streamed alongside TikTok personality Peller, highlighted Cubana Chief Priest’s behind-the-scenes role in Nigeria’s entertainment industry.
“I’ve supported many celebrities,” Okechukwu stated, referencing Burna Boy’s early struggles. “People might not know this, but he stayed at my place for days at a time back then. When I say I’ve helped elevate stars, I mean it.” The socialite, known for his flamboyant lifestyle and connections, used a mix of English and Nigerian Pidgin to emphasize his influence, declaring, “Cubana Chief Priest isn’t a small name. Money flows like water for me—I’ve been in this game for years.”
While Burna Boy’s team has not yet responded to these claims, the singer’s journey from local acclaim to international stardom is well-documented. His 2021 Grammy win for Twice as Tall cemented his status as a premier figure in African music, often dubbed the “Giant of Africa”—a title Okechukwu alluded to during the stream.
The discussion, which showcased the opulent surroundings of Okechukwu’s residence, also touched on his reputation as a benefactor within Nigeria’s entertainment circles. His assertions align with broader narratives about the informal networks that often propel artists in thriving but competitive creative industries. Cubana Chief Priest, a controversial figure previously embroiled in legal disputes, has long been associated with high-profile parties and celebrity endorsements, though his claims of mentoring Burna Boy add a new layer to his public persona.
Observers note that such revelations underscore the interconnected nature of Nigeria’s music and social scenes, where influential figures frequently act as patrons to emerging talent. As Afrobeats continues gaining global traction, stories of mentorship and early struggles—like those hinted at by Okechukwu—are increasingly seen as pivotal to understanding the genre’s evolution. For now, the spotlight remains on the bond between two icons: one whose fame spans continents, and another who claims to have offered a lifeline during quieter days.
