Nigerian veteran singer Chinagorom Onuoha, better known by his stage name African China, has revealed how his commitment to making socially conscious music placed him in serious danger, forcing him to adopt self-defence skills and even turn to traditional protective practices.
Speaking during a recent episode of the Beer Parlor Talk podcast, the Mr President hitmaker explained that at one point in his career, he trained in martial arts and also resorted to traditional protective rituals, locally referred to as “voodoo,” to safeguard himself. He said the threats came from multiple quarters, including the police, the Oodua People’s Congress (OPC), and street gangs known as “Area Boys.”
According to African China, his music often addressed corruption, injustice, and social issues, which made him a target. “I am a black belter. During my time, you needed to know how to fight to survive in the music industry,” he said. “I was not just learning martial arts but also engaging in traditional protection to keep myself safe.”
He recalled that his life was frequently under threat, forcing him to evade authorities and local enforcers. “I was running from the police, OPC, and Area Boys. Informants often helped me escape the constant threats,” he said. “OPC always tried to harass me, even during performances, but the audience would give me signals whenever they were coming. OPC thought I was using voodoo to disappear. I was always on alert.”
African China’s experience highlights the risks faced by Nigerian artists who use their platforms to challenge the status quo. His story sheds light on the intersection of art, activism, and personal safety in a country where freedom of expression can come at a high cost.
The singer’s revelations come at a time when Nigerian musicians continue to navigate the fine line between creative expression and political sensitivity, with some facing censorship, harassment, or worse for their outspokenness.
