Nigerian singer Seyi Vibez publicly criticised fellow artist Adekunle Gold on the social‑media platform X on Friday, attacking both his music and personal style. Vibez wrote, “Adekunle Gold, you’re wack, and your swag is wack. Old fool!” The blunt statement quickly attracted attention from fans and industry observers, who noted the unusually confrontational tone from one of Nigeria’s prominent Afro‑beat singers.
The exact trigger for Vibez’s outburst has not been confirmed by either party. Some social‑media users have linked the dispute to lyrics in Adekunle Gold’s latest single “Life Of The Faaji,” where he declares, “They love my fuji / This one no be fuji moto.” The line appears to reference “Fuji Moto,” the title of a 2022 hit by Seyi Vibez, prompting speculation that Vibez perceived the lyric as a dig at his own work. No official response from Adekunle Gold has been issued to date; his management team has not released a statement, and the artist has not addressed the comment on his own social‑media channels.
Both musicians have enjoyed considerable success in the Nigerian music scene. Seyi Vibez rose to prominence with tracks such as “Suicidal” and “Fuji Moto,” blending street‑pop rhythms with lyrical themes of hardship and resilience. Adekunle Gold, originally known for his contributions to contemporary fuji and highlife, transitioned to Afro‑pop with chart‑topping songs like “Orente,” “Enjoy,” and the recent “Life Of The Faaji.”
Public feuds among Nigerian artists are not uncommon and often attract significant media coverage, influencing fan engagement and streaming patterns. The current exchange may affect both artists’ online followings as audiences monitor any subsequent developments. Industry analysts suggest that while personal disagreements can generate short‑term publicity, they rarely have a lasting impact on the commercial performance of established acts. Nonetheless, the situation underscores the competitive dynamics within Nigeria’s rapidly expanding music market, where artists frequently reference each other’s work in lyrical content.
As of now, no further remarks have been made by either Seyi Vibez or Adekunle Gold. Observers will be watching for any follow‑up statements or actions that could clarify the dispute or lead to a resolution.
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