Nollywood Films Dominate Nigerian Box Office with Impressive Grossing Figures

Nollywood Films Dominate Nigerian Box Office with Impressive Grossing Figures
Nollywood Films Dominate Nigerian Box Office with Impressive Grossing Figures

Breaking News: Nigerian Film Industry Sees Rise in Box Office Earnings

In a stunning turn of events, the Nigerian film industry has witnessed a surge in box office earnings, with several films performing exceptionally well. According to a report published by the Cinema Exhibitors Association of Nigeria (CEAN), the top 10 highest-grossing films at the box office between July 12 and July 18, 2024, have collectively raked in a whopping ₦216.1 million.

Leading the pack is the Nollywood epic crime thriller, Lakatabu, directed by Odunlade Adekola, which grossed ₦22.1 million, placing it in fourth position. Its total gross since its release on June 21, 2024, stands at over ₦156 million.

The second spot is taken by Bad Boys: Ride or Die, starring Will Smith and Martin Lawrence, which made an impressive ₦33.6 million. Following closely is A Quiet Place: Day One, a Hollywood horror sci-fi written and directed by Michael Sarnoski, which took the third spot with ₦30.3 million, bringing its total gross to ₦109.2 million.

Other films that made it to the top 10 include Muri and Ko, directed by Biodun Stephen, which grossed ₦12.3 million, Inside Out 2, distributed by Walt Disney Studios Motion Pictures, which made ₦11.5 million, and Fly Me to the Moon, directed by Greg Berlanti, which took in ₦8.1 million.

The report also highlighted the rising popularity of Nigerian films, with many gaining international recognition and breaking box office records. This development is a significant boost to the local film industry, which has been growing in recent years.

In related news, a picture of Kunle Remi on the set of Muri and Ko has surfaced, giving fans a glimpse into the making of the film. The image, shared on social media, shows Remi in character, with fans praising the film’s production quality.

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