Nigerian singer Seyi Vibez has publicly criticised fellow artiste Adekunle Gold, attacking both his music and personal style in a post on the social‑media platform X on Friday.
Vibez wrote, “Adekunle Gold, you’re wack, and your swag is wack. Old fool!” The statement generated immediate attention among fans and industry observers, who noted the unusually confrontational tone coming from one of Nigeria’s prominent Afro‑beat singers.
The exact trigger for Vibez’s outburst has not been confirmed by either party. Some social‑media users have linked the dispute to lyrics in Adekunle Gold’s latest single “Life Of The Faaji,” where the artist declares, “They love my fuji / This one no be fuji moto.” The line appears to reference “Fuji Moto,” the title of a 2022 hit by Seyi Vibez, prompting speculation that Vibez perceived the lyric as a dig at his own work.
No official response from Adekunle Gold has been issued to date. His management team has not released a statement, and the artist has not addressed the comment on his own social‑media channels.
Both musicians have enjoyed considerable success in the Nigerian music scene. Seyi Vibez rose to prominence with tracks such as “Suicidal” and “Fuji Moto,” blending street‑pop rhythms with lyrical themes of hardship and resilience. Adekunle Gold, originally known for his contributions to contemporary fuji and highlife, transitioned to Afro‑pop with chart‑topping songs like “Orente,” “Enjoy,” and the recent “Life Of The Faaji.”
Public feuds among Nigerian artists are not uncommon and often attract significant media coverage, influencing fan engagement and streaming patterns. The current exchange may affect both artists’ online followings, as audiences monitor any subsequent developments.
Industry analysts suggest that while personal disagreements can generate short‑term publicity, they rarely have lasting impact on the commercial performance of established acts. However, the situation underscores the competitive dynamics within Nigeria’s rapidly expanding music market, where artists frequently reference each other’s work in lyrical content.
As of now, no further remarks have been made by either Seyi Vibez or Adekunle Gold. Observers will be watching for any follow‑up statements or actions that could clarify the dispute or lead to a resolution.
