Tems Reflects on Early Career Setbacks, Including Being Booed at School Event
Nigerian R&B star Tems, born Temilade Openiyi, has detailed the significant obstacles she encountered in the initial stages of her music career, including a humiliating incident where she was booed and pelted with objects during a school performance.
Speaking in an interview with Big Boy TV, the singer behind the global hit “Crazy Tings” recounted a specific performance during her up-and-coming years. “I remember one time I was going to perform at my school as an up-and-coming singer and I thought I was going to be receiving a standing ovation. But I got booed. They even threw plastic bottles at me,” Tems said.
This experience was part of a broader pattern of rejection and discouragement. The now Grammy-winning artist explained that her steadfast commitment to a unique, original sound, rather than performing popular covers or conforming to prevailing trends, likely contributed to the early negative reception she received from some audiences.
“I remained determined despite the embarrassing incident and other rejections,” Tems stated. She emphasized that her choice to prioritize artistic originality over immediate commercial appeal created friction in an environment that often favored familiarity.
Looking back from her current position of international acclaim, Tems expressed no regret. She firmly believes that resisting early pressures to compromise her style was fundamental to her later success. Her unique sonic identity, characterized by soulful vocals and alternative R&B production, has since defined her breakout hits.
Tems’ journey from being booed on a school stage in Nigeria to headlining global festivals and winning a Grammy Award for her collaboration on “Essence” underscores a narrative of resilience. Her story highlights the challenges faced by artists who pursue unconventional paths, often before their vision gains wider recognition. The artist’s reflection serves as a testament to the long-term value of artistic integrity in the face of early criticism.
