Afrobeats star Adekunle Gold has publicly praised his wife, singer‑songwriter Simi, as the premier songwriter in Nigeria’s music industry. Speaking with radio host Angela Yee, the Grammy‑nominated musician said Simi’s ability to craft multiple songs over a single instrumental track sets her apart from her peers.
Gold, who has worked with a wide range of Nigerian composers, explained that while many artists can deliver a hit on a given beat, Simi repeatedly writes distinct tracks that fit the same rhythm. “I have never seen anyone write ten songs on one beat the way she does,” he said. “Usually an artist will drop the first version that feels right, but she can produce several completely different songs from the same foundation.”
He cited the track “Duduke” as an example, noting that Simi composed three separate versions before the final cut was selected for release. Gold added that, in many cases, it is the fifth iteration that ends up being chosen, underscoring her relentless creativity and meticulous approach.
The compliment comes at a time when both Gold and Simi are enjoying heightened visibility on the global stage. Their partnership—both personal and professional—has been lauded for blending melodic sensibility with lyrical depth, contributing to the rise of contemporary Afrobeats worldwide. Industry observers note that such endorsements highlight a broader shift toward recognizing the craft of songwriting in a market traditionally dominated by performers.
Gold’s remarks also reflect a growing appreciation for behind‑the‑scenes talent in Nigeria’s music ecosystem, where producers, writers, and engineers are gaining more acknowledgment for their contributions to hit records. By naming Simi as the “best songwriter” in the country, Gold not only celebrates his wife’s skill but also signals a call for greater respect for songwriting as a distinct art form.
As Afrobeats continues its expansion into international charts and award circuits, the Gold‑Simi partnership is likely to remain a focal point for fans and critics alike. Their collaborative dynamic may set a benchmark for future artist‑writer relationships in the region, influencing how new music is crafted and marketed across Africa and beyond.
